Amanda Riggle

Amanda is the Managing Editor at The Poetics Project and of The Socialist, the national magazine of The Socialist Party USA, as well as the Lead Editor of Pomona Valley Review's upcoming 11th issue. She graduated with a BA in English Education and a minor in Political Science. She is currently enrolled in an English MA program with an emphasis in Literature. During her free time, Amanda enjoys writing poetry, reading, traveling, crocheting, watching entire seasons of campy shows on Netflix, and, of course, writing blogs.

Amanda is the Managing Editor at The Poetics Project and of The Socialist, the national magazine of The Socialist Party USA, as well as the Lead Editor of Pomona Valley Review's upcoming 11th issue. She graduated with a BA in English Education and a minor in Political Science. She is currently enrolled in an English MA program with an emphasis in Literature. During her free time, Amanda enjoys writing poetry, reading, traveling, crocheting, watching entire seasons of campy shows on Netflix, and, of course, writing blogs.

Pomona Valley Review: On the Selection Process

Earlier this summer, I was selected to be part of the editorial board of Pomona Valley Review – an arts journal that comes out once a year. Because of my experience here as a managing editor, as well as Melanie and I presenting on Pomona Valley Review’s poetry panel last year at the Pacific Ancient and Modern Language Associate conference (PAMLA), I was put in charge of the editorial board and took on the position of lead editor for the 11th edition of the journal.

While I have been published in the past through a handful of smaller journals (PVR included), this was my first time behind the scenes selecting artistic items that would be published. The process, I found, was very different from what we do here and not something I took into consideration when I would submit pieces myself.

I know that the knowledge I’ve gained in working as an editorial board member during this past issue of Pomona Valley Review has helped me understand how I should submit my work as a writer/poet to increase my chances of being published in the future. And, of course, I want to share that gained knowledge with you, the reader.

Submissions Interface

Pomona Valley Review uses Submittable for all of it’s submissions – stories, poetry, pictures, paintings, etc. But there are still many people who try to email in their submissions. When a journal selects one way and makes that way apparent, as a submitter, you should really follow what the journal asks. In general, if a journal asks for submissions one way and you send it in another way, your chances of being considered go down from the start. The policy at Pomona Valley Review is that unless we’re hurting for submissions, we won’t look at work that isn’t submitted in the correct manner.

Now, there was one author with poor vision and their adaptive software (text to speak) worked best in email. The process of creating a word document, uploading it, attaching it, and submitting a biography wasn’t accessible for that individual so their submission was taken via email. So exceptions can be made for accessibility purposes but otherwise, you’d need to stick with the platform the journal asks you to use.

Politics and Poetry: The Harlem Renaissance

In the last year, I’ve been giving a series of lectures titled Politics and Poetry for The Socialist Party USA. This is an excerpt from the Slam Poetry section of that lecture.


In the 1920s the neighborhood Harlem, located in New York City, became a hotbed of culture for the disenfranchised black minority in the United States. Harlem became the place where black immigrants from Africa, the Caribbean, and other blacks across the U.S. came together in the hopes of a better life, establishing an educated black middle class, and creating art in all of its forms, known as the Harlem Renaissance.

Great thinkers, writers, and poets like James Baldwin, Langston Hughes, W. E. B. Du Bois, Countee Cullen, James Weldon Johnson, Claude McKay, and Elizabeth Alexander, among others, emerged from this scene and left behind a lot of work that is heavily influential today. Today we’re going to focus on Langston Hughes, Jessie Redmon Fauset, and Countee Cullen.

Image of Langston Hughes
Image from The Huffington Post

Langston Hughes is hands down one of the best known American poets, not just one of the best known Harlem Renaissance poets. He was a social activist, novelist, playwright, columnist, and invited a new literary art form called jazz poetry. Hughes, born in 1902, lived through both the depression and became part of the peace movement in the 1940s to keep Americans at home and out of WWII. He was outspoken in his concept that as long as the U.S. had Jim Crow Laws and racial segregation, black Americans should not serve in the military and defend a country that did not offer them equal rights. As part of the left, during the time of McCarthyism, Hughes was accused of being a communist. He wasn’t tried or anything, but when asked why he never did join the American communist party, he stated “I never read the theoretical books of socialism or communism or the Democratic or Republican parties for that matter, so my interest in whatever may be considered political has always been non-theoretical, non-sectarian, and largely emotional and born out of my own need to find some way of thinking about this whole problem of myself.” Hughes work was highly influential during the civil rights movement and has remained influential to this day. Here are two of his poems I wish to share today, the first being “You and Your Whole Race” written in 1930:

You and your whole race.
Look down upon the town in which you live
And be ashamed.
Look down upon white folks
And upon yourselves
And be ashamed
That such supine poverty exists there,
That such stupid ignorance breeds children there
Behind such humble shelters of despair—
That you yourselves have not the sense to care
Nor the manhood to stand up and say
I dare you to come one step nearer, evil world,
With your hands of greed seeking to touch my throat, I dare you to come one step nearer me:
When you can say that
you will be free!

This next poem of his is titled “Harlem” and is from 1951:

Story Shots: Renew

While The Poetics Project was on hiatus for a while, the blog has now been renewed. To celebrate this renewal, we’ve revived our popular blog series called Story Shots. Story Shots a place where our writers all write a short creative non-fiction piece around the same concept and we share the stories with our readers. We have three short creative non-fiction pieces here for our readers today around the theme of renewal.


When your best friend dies at 26, you find what little strength you actually have. You thought you understood death by this point, that you knew how to best cope. You knew your grieving process and you knew how long each stage took. Too logical. Death is not logical.

I remember vaguely my phone ringing at 5:00 in the morning and hitting the dismiss button. I was in a dream with my best friend Jessie. We were at Disneyland and Paris and all her favorite and want-to-visit destinations at once. I ran to keep up with her, but she always seemed out of reach. The sky was a mixture of pink and reds. Strangely beautiful, and unsettling.

My alarm went off for work and I jumped on Facebook; my typical morning read. I thought to myself “what if Jessie is gone” when I spotted a belated birthday wish on her wall. My heart threatened to stop beating and I shrugged it off as another weird and morbid thought. I then realized her mother had called me, that she was the dismissed call. My heart threatened me again. I called her, convincing myself that everything was fine.

“Nicci?! Where you with Jessie yesterday?”

“No? I know she went to Disneyland with Richard, but I don’t…” At this point, I sensed the panic in her voice and was pushing the sheets off me to locate my dirty sweats in the hamper. I got caught in the sheets.

“Well did you know that she was in a car accident and died!?”

I had freed my legs in time to sit up straight, “What?”

“She’s dead!”

“What….” my throat started producing croaks.

“Nicci? Nicci, call your mom. I don’t want you to be alone.”

“O…okay.” I live in the back house of my parents’, so I got up and stumbled like a zombie to their door. They leave it unlocked. My mother was up before I collapsed against her dresser.

“What happened? What happened?!” I mixture of fear, anger, and distress.

“Jessie…Jessie’s…she’s gone. She’s dead.” My father was rounding the bed when he turned to stabilize himself and let out one sob. He covered his eyes. My mother shouted and held me as the floor threatened to consume me. My lungs kept pushing air out and wouldn’t let me breathe. And then, I stopped. “Mom, I don’t know where Richard is.”

Politics and Poetry: Ezra Pound

In the last year, I’ve been giving a series of lectures titled Politics and Poetry for The Socialist Party USA. This is an excerpt from the Slam Poetry section of that lecture.


So we’re going to do things a little backwards for this one and look at the poet’s works first before jumping into his biography. This poem penned in 1926 is one Ezra Pound’s most famous poems, in part because of how short it is:

In a Station of the Metro

The apparition of these faces in the crowd:
Petals on a wet, black bough.

Pound was an American poet, born in 1885 and lived through both world wars and well into the cold war and the conflicts that prevailed during the time (and subsequently died in 1972). This next poem of his is titled “The Coming of War: Actaeon” written in 1917.

An image of Lethe,
and the fields
Full of faint light
but golden,
Gray cliffs,
and beneath them
A sea
Harsher than granite,
unstill, never ceasing;

High forms
with the movement of gods,
Perilous aspect;
And one said:
“This is Actæon.”
Actaeon of golden greaves!

Over fair meadows,
Over the cool face of that field,
Unstill, ever moving,
Host of an ancient people,
The silent cortège.

Ezra Pound is credited as being one of the creators of the Modernist poetry movement with his focus on imagery. He translated Chinese and Japanese poetry and in both his translated works and original works he pushed for clarity, precision, and economy of language. He founded not only several American literary magazines, but he is credited for discovering and shaping poets such as T.S. Eliot, James Joyce, Robert Frost, and Ernest Hemingway.

Image of young Ezra Pound
Via Wikimedia.org

Then came Word War I.

How To Manage Being A Managing Editor

For those who don’t know me, I have a lot of little side gigs outside of being a master’s student and my work as an advisor on campus. Three of my multiple little side-ventures are in the world of editing. I am the co-founder and managing editor of this blog, The Poetics Project, as well as the managing editor for The Socialist, the Socialist Party USA’s national magazine. This summer I was also selected as the lead editor of the Editorial Board of Pomona Valley Review’s 11th issue.

So how do I do it? Am I some insane monster that never sleeps? Am I in it for the money? Wait, is there money? Hold on, I’m off track now with the hypothetical questions. Do I just half-ass all of my roles and call it a day? Do I have no life to speak of? Am I a lonely person? Do my academics suffer? Do I have no hobbies?

With the exception of the first question, all of the answers to the above are no. I’ve literally been asked these questions multiple times, so let me go into each one and elaborate a bit on my answer of no.

Am I some insane monster that never sleeps?

Okay, I totally sleep. I don’t know why this is always one of the first questions people ask when they find out that I’m a busy person (then again, maybe it’s the bags under my eyes. That’s just how I look!). Sleep is important and we all need it to function; in fact, when I don’t sleep, I get a terrible case of what I like to call homophones—i.e., I start writing in homophone (think they’re/their/there or your/you’re or new/knew, etc.). I need to sleep just like a normal person—although, as a grad student, eight solid hours is generally something I never get. I do get a good six to seven hours of sleep a night most of the time, and I enjoy strong coffee in the day time to make up for that extra hour I never seem to be able to manage (like, even on the weekends—I may just not be the kind of person that sleeps for eight hours at night).

Am I in it for the money? Wait, is there money?

I work as a managing editor because I want to, not for money. Even in my day job, I get to help a lot of people and that makes me happy. I could never just work for a paycheck—not that there’s anything wrong with that, but I’ve done it in the past and I’ve been terribly unhappy doing it. Also, there’s no money in what I do on the side. The Poetics Project, The Socialist, and Pomona Valley Review are completely free to users and contain no ads, so we don’t generate any revenue. All of my projects are projects of passion. I know there are probably managing editor positions I could find that would pay me, but I don’t know if I’d love their content as much as I love the content at the other places I volunteer at, nor do I know if I want to make managing editing into a career over being a potential teacher in the future.

Politics and Poetry: William Butler Yeats

Yeats, by Alice Boughton

In the last year, I’ve been giving a series of lectures titled Politics and Poetry for The Socialist Party USA. This is an excerpt from the Slam Poetry section of that lecture.


Ireland, under the thumb of England, rebelled against English control Easter weekend 1916, during WWI. While both the Irish and English were participating in WWI, England was more heavily engaged and the Irish Republicans used that opportunity to try to form an independent Ireland. The battle lasted six days but England sent thousands of reinforcements as well as artillery and a gunboat. While there was a fierce battle, Ireland ultimately lost and surrendered and the English inflicted heavy casualties on the Irish.

Maude Gonne, by Bain News Service
Maude Gonne, by Bain News Service

William Butler Yeats, native Irishman, nobel prize winning poet, and poet of the Irish Revolution and poet of the Irish Free State, was born in 1865. He was educated in both Ireland and England and fell in love with Maud Gonne, a woman that was engaged in the Irish Nationalist movement.

Yeats proposed to her in 1891 and she rejected him because he wasn’t political enough. Yeats, while agreeing with the sentiments of the Irish Republicans, hesitated to outright join the cause. He proposed yet again in 1899, 1900, and 1901, but was always met with a refusal. In 1903, she married another Irish Nationalist by the name of John MacBride. Heartbroken, Yeats still remained good friends with Gonne and even helped her file for divorce years later against her husband MacBride.

By 1912 and 1913, Yeats supported the idea of an Irish Parliament with control of domestic affairs, but pulled back from his full support of an independent Ireland. Then the Easter Rebellion happened. Yeats wrote a poem titled “Easter, 1916”:

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

Student Feedback: Going Digital

I have terrible handwriting, to be frank. And I know I’m not the only one with this problem. When I was a teenager, I went to the doctor’s for an ear infection, and he had me memorize the illegible prescription he had written for me. He jokingly said that “the smarter you are, the worse your handwriting is.” He more seriously said he wanted to be sure I got the right medication from the pharmacy. Looking back on that as an adult, less enchanted with the humor, I can see the danger is a misunderstood prescription. Now, there’s no imminent danger when it comes to the student feedback teacher’s leave on papers, but there is another kind of danger: frustrated students, illegible critiques and suggestions, and a classroom where writing feedback is never followed for the simple reason that the feedback can’t be read by students.

The Ways I Use Poetry

When I was in grade school, I used poetry for entertainment. My grade school had regular book fairs, and one of the first books I bought on my own was The Random House Book of Poetry for Children because, in the first few pages, it had a funny poem about a boy that would take off all his clothing and could never figure out how to put it back on. The book was large and full of various poems. When there wasn’t anything to watch on television, or when I finished some of my homework, I’d sit in my room and read through my book of poetry and try to memorize the poems that were on the pages. As I aged, the appeal of the book of children’s poetry faded, and it was placed into a box and given to Goodwill.

It wasn’t until high school that I started to use poetry again. This time, I used poetry as a form of self-expression, as many teens end up doing. Sometimes I wrote poems and sometimes I wrote song lyrics, but they were always dark and angry and honestly, not very good. I used poetry to help form my self-identity and to work through an extreme level of teenage angst. These works often found themselves on napkins, or on ripped up pieces of paper, or inside of one of my textbooks. The poetry I wrote back then is long gone, which is probably a good thing. If I had to classify the type of use this poetry was, it would fall under the category of misuse.

400 Years After Shakespeare’s Death

The Cobbe Portrait, William Shakespeare

On April 23rd, 1616, it is believed that William Shakespeare passed away. While we don’t have records of his death, we do have records of his funeral which occurred two days later on April 25th, 1616.

At the age of 52, Shakespeare left behind a body of work that has captivated pop culture and has been the favored subject of academia (think of your high school literature classes) for the past 400 years. Shakespeare’s works have lead to an unparalleled phenomenon across cultures and well past his time.

This blog has continually looked for Shakespeare from searching for Shakespeare in bookstores in Taipei, Taiwan to visiting a bookstore with his namesake in Berkeley, California. Speaking of books, we’ve reviewed the Star Wars Shakespeare-style books, have shared our own stories about Shakespeare, and have made so many freaking posts about Shakespeare loot it’s kinda ridiculous.

Poems for National Poetry Month

April is my favorite time of year. Not for the showers (although, rain’s nice), nor for the beginning of spring; rather, April is my favorite time of the year because it’s officially National Poetry Month and that means I get to spam everyone I know on Facebook with poems everyday, and sometimes twice a day, for a whole month. It’s also the month of William Shakespeare’s birth and death, so I like to pay special attention to his sonnets and poems, as well as poetry that celebrates his work, during my favorite time of the year.

It’s really an English degree holder’s dream.

I want to share poetry with everyone this time of the year, and you are not immune. Here’s a poetry month starter kit of poetry for you to share with your friends, or to just read an enjoy, during my favorite month of the year.