Amanda Riggle

Amanda is the Managing Editor at The Poetics Project and of The Socialist, the national magazine of The Socialist Party USA, as well as the Lead Editor of Pomona Valley Review's upcoming 11th issue. She graduated with a BA in English Education and a minor in Political Science. She is currently enrolled in an English MA program with an emphasis in Literature. During her free time, Amanda enjoys writing poetry, reading, traveling, crocheting, watching entire seasons of campy shows on Netflix, and, of course, writing blogs.

Amanda is the Managing Editor at The Poetics Project and of The Socialist, the national magazine of The Socialist Party USA, as well as the Lead Editor of Pomona Valley Review's upcoming 11th issue. She graduated with a BA in English Education and a minor in Political Science. She is currently enrolled in an English MA program with an emphasis in Literature. During her free time, Amanda enjoys writing poetry, reading, traveling, crocheting, watching entire seasons of campy shows on Netflix, and, of course, writing blogs.

Annual Shakespeare Conference at The University of La Verne in California.

Do you like Shakespeare?

Do you like me?

Do you like going places and hearing people, specifically me, talk about Shakespeare?

Even if you said no to any of those (which you wouldn’t, because you are awesome, right?) you can still check out this link to the Shakespeare Conference I am presenting at on April 27th, 2013 held at the University of La Verne.

My presentation title is Portia on a Pedestal – An Exploration of the Modern Media’s Portrayal of Women and my abstract is as follows:

The modern media portrays the perfect woman as a female that embodies desirable feminine traits alongside positive male traits. The way the media, such as film and television, portrays the perfect sexual object isn’t a new one, for Portia from Merchant of Venice embodies the same characteristics of desirable feminine qualities while also displaying positive masculine qualities which she dons when she changes into male clothing that are also present at other points within the play. The idea that a desirable woman is flawless in both her feminine charms and within the masculine charms she possess transcends Shakespeare’s time and penetrates modern western society as well. This paper shall analyze Portia’s display of feminine traits while in feminine clothing and masculine traits exhibited by cross-dressing and compare them to modern film’s heroines and display of both feminine and masculine traits and what this says, overall, about an unchanged idea of the media’s perfect woman.

For more information, visit the University of La Verne’s Shakespeare Conference webpage or contact the Director of the event, Jeffrey Kahan. Jeffrey Kahan has a Ph.D. is Shakespeare Studies from the Shakespeare Institute in Stratford-upon-Avon. He is the author of Reforging Shakespeare, The Cult of Kean, Bettymania and the Birth of Celebrity Culture, and Shakespiritualism. He can be reached at shakespearecenter@laverne.edu.

I hope to see you all there!

Dan Hogan Author Profile

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Dan Hogan and wife, Sophie Mae

Published Poet Profile: Dan Hogan
Interview by: Amanda Riggle

Dan Hogan is a part-time English teacher at Cal State Fullerton, Irvine Valley College, and Norco College. In addition to being an amazing teacher, Dan has recently had his work published in Cal State Fullerton’s literary journal DASH – due out in May of 2013. His original haiku was about a double-parking incident and will be available for everyone to read once DASH releases their current issue. For more info on DASH, visit their website WWW.DashLiteraryJournal.Com. We had the pleasure to interview Dan via-email and below is what he had to say. He’s a smart man, talented man, so you should totally read this and be inspired.

The Poetics Project: Dan, what inspired you to write this piece? Did someone double park next to you and block you in?

Dan: I live at an apartment complex with two really narrow spots right next to the dumpster. I work so late that often those are the two spaces that are open. Most of the time, people with their gargantuan sport utility vehicles can’t fit in the spots, and it’s kind of an art to squeeze in there. But sometimes people just give up and park across both spots. Or worse, they park with one tire into the other spot making it impossible to park there. Such a pain. The nearest spot from there is about two hundred yards away, and at 1 am after grading all night at a coffee shop, it’s a real pain. So I wrote it one night because I always feel like writing notes and leaving them on the windshield, but this time I didn’t.

The First Poems of Famous Writers

Below are some of our favorite writers and their very first poems ever written. What do you think? Which are your favorite? Can you see where their style started from? Do these poems inspire you? Let us know in the comments below!

William Shakespeare

“Untitled” (1582) (1 year before he had a poem published)

Those lips that Love’s own hand did make
Breath’d forth the sound that said I hate
To me that languish’d for her sake:
But when she saw my woeful state,
Straight in her heart did mercy come.
Chiding that tongue, that ever sweet
Was used in giving gentle doom:
And taught it thus anew to greet:
‘I hate’ she alter’d with an end
That follow’d it as gentle day
Doth follow night, who like a fiend
From heaven to hell is flown away.
‘I hate’ from hate away she threw,
And sav’d my life, saying ‘not you’

Tamara Trujillo’s Summer Creative Writing Class at Fullerton College

Tamara Trujillo is offering, for the second time ever in Fullerton College’s history, a Creative Writing course over the summer session. What makes her qualified to teach such a course? Not only is she a professor at Fullerton College, but she is also a published author. Much of Tamara’s poetry has been published and we are lucky enough to have one of her unpublished poems to share with you today.

Homemade

Most nights, the sewing machine whirred from my parents’ room next door, mother obsessed with perfection. It was a tedious process: pairing our hopes in the shape of a pattern, selecting fabric for the thin paper frame, lining up seams, rethreading the machine, hours of holding still under the delicate prick of the needle. In the sleepy evening, I would stand in front of her long mirror as she pinned the flimsy outline around my form, tracing my body with her long, natural nails. She would sit with her tanned, slim legs tucked under her as she hemmed pant cuffs that flared at the end, or ankle-length dresses with bibbed fronts. If I looked down at her as she worked, I could lose myself in the crown of her expertly-coiffed beehive, swirls of brown floating me closer towards something like love but never reaching anything that ever actually fit.

April: National Poetry Month

Did you know that April is National Poetry Month? April isn’t just a month for appreciating poetry; it’s also about writing poetry.

I know, you have work.

School. Totally understandable.

A life? Yeah, we all have that too.

But this is April; this month was made for poetry, so put your excuses aside and write. Write anything. It doesn’t have to be perfect – it just has to come from you.

April Poetry Workshop

Hello new blog users. I know you’re all new, not just because I’m awesome and have magical powers, but because this is a new blog so you all must be new. See what I did there? Logic, it’s fun.

Since everyone is new, I’m going to break down how these monthly assignments work. I give you an assignment; you do the assignment. It’s pretty simple.

Joking aside, there will be multiple levels to each assignment. Most assignments will have a base, intermediate and advanced level posted. To participate, you merely have to work on the base level. If you are looking to challenge yourself, I post the intermediate and advanced levels for you to work with.

At the end of the month, I will pick 3-5 of the best poems submitted and post them with the rationale behind why I picked those particular poems. The level of assignment does not come into play in the picking; meaning an advanced poem will not be picked over a base poem if I feel the base poem was executed better.

Once your poem is completed, click Submit Piece Here on the blog’s menu bar to be taken to a submission form. Please include a little something about yourself in the additional information section of the form.

March Poetry Workshop

March Poetry Workshop Assignment

Base assignment: write a poem, any form, about the future.

Intermediate assignment: in addition to the base assignment, three key words must be incorporated into the piece: mob, sand, and book (these are the first three words that came up in a random noun generator, if anyone was curious where I got these from).

Advanced assignment: in addition to the base and intermediate assignment, restricted to the form of rhyme royal poem. A rhyme royal poem is a 7 line poem in iambic pentameter with the rhyme scheme of a-b-a-b-b-c-c. An example:

Opening to Thomas Wyatt’s rhyme royal poem:
They flee from me that sometime did me seek
With naked foot, stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild and do not remember
That sometime they put themself in danger
To take bread at my hand; and now they range,
Busily seeking with a continual change.