Summer is the time of Free Shakespeare Plays in Los Angeles

I’m lucky to live close to L.A. because, in the summer, Los Angeles is filled with things to do. For one, we have The Last Bookstore, which is just plain awesome and filled with catacombs of used dollar books.

There are also tons of lectures, literary events, book signings, and poetry readings to attend as well.

But my most favorite thing to do in the summer is to attend the free Shakespeare plays put on by the Independent Shakespeare Company as well as Shakespeare by the Sea.

This summer both companies are putting on two Shakespeare plays – one tragedy, and one comedy, each.

Photo by Mike Ditz from the Independent Shakespeare Company website.

The Independent Shakespeare Company is putting on Romeo & Juliet June 25th through July 26th in Griffith Park. This is the classic tale of two adolescents whose forbidden love spins out of control and ends with a double suicide. The Independent Shakespeare Company makes this production their own by adding a little Sid and Nancy twist – this tale is set in the modern world of punk rock. So if you’re a fan of Shakespeare, and/or a fan of punk, this show should blow your socks off.

Writing for Change

It’s no secret that I have an interest in politics. I also have a passion for writing. These two realms of my personality are not mutually exclusive; indeed, writing and politics often come together – from speeches written to address the public to the slew of emails politicians send out come election time. One doesn’t need to have a career in political writing to combine these two interests, though.

As a writer, you can put those skills to use to support your own causes and interests in writing for change – or writing letters to elected officials to express your point of view on a specific issues. This can be a letter supporting some current course of action, against a course of action, in response to a law that has already passed or to an upcoming bill that is coming up for vote on the floor before your local, state, or federal representative.

Omar Ahmad, former mayor of San Carlos, gave a riveting TED Talk on the effectiveness of letter writing as a form of political action and feedback directly from the people to the politician.

http://embed.ted.com/talks/omar_ahmad_political_change_with_pen_and_paper.html
“What actually works, and the answer is actually strange: it’s a letter. We live in a digital world but we’re fairly analog creatures.”

Ahmad, in his talk, offers some great tips when it comes to writing for change, and I wanted to highlight and give a summary those points here:

Summer Reading for Children: A Great Time to Build Empathy

School’s out! And that means that hordes of children (they come in hordes, right?) will be running free for the eight (or more) hours a day they used to spend in school.

There are lots of things to do with kids at this time. You can send them away to camp, if you can afford it, or enroll them in some day camps in your area that have them do arts and crafts. The older kids can get jobs, and the younger kids can be those babysitting jobs the older kids get.

I know on my summer break, coming from a socioeconomically deprived family, I never experienced any sort of children’s camp myself. Instead, I watched a lot of T.V. and read a lot of books. One of those was probably better for me than the other.

A recent study came out that found that reading helps build empathy. This isn’t anything new to us humanities majors and graduates, but this study by Stanford University tested that hypothesis and gave quantifiable evidence to what was a qualitative observation.

One great service we can do for our hordes of children is to help them build empathy. Empathy is not only the ability to recognize, respect, and reciprocate the emotions of others, but it’s what psychologists call a “pro-social” behavior that helps our society, overall, because a society that cares for and about each other is the way a society is supposed to function. Just look at the roots of the word: soci, Latin for us, partner, or comrade and ity, a Latin suffix that is used to abstract nouns to express a state or condition. So, by that breakdown of the word, society is the state of being us – partners or comrades.

There are many great books out there that will help kids build empathy. What I’m listing today would be great for 8-12 year old kids. Instead of watching strange things on YouTube (which is what my 9 year old Godchild does constantly) or Netflixing (yes, it’s a verb now), kids can pick up these books (hopefully willingly, but if not, bribery is always an option) and build their empathy skills up instead.

Freak the Mighty

I remember reading this book in either the fourth or fifth grade, and it made me cry. This book is the story of two boys – one, a slow learning giant and one, an extremely bright child in leg braces. These boys become unlikely friends, and, well, darn it. I’m going to tear up again. This book shows the power of unlikely friendships and the value we each have as a person – big, strong, and slow or small, weak, and smart as well as everyone in the middle.

Story Shots: May Day

Story_Shots

May means different things to different people. In May, memorial day happens to honor people who have served this country through military service. May is a great time for weddings. May is when the flowers start blooming and the bees start pollinating. But May 1st is a different kind of day. May Day in America has a history surrounding worker’s rights. This month’s creative nonfiction post is an ode to May Day.


The FM radio broke about a year ago. I don’t know why. My car’s a 2001 Kia Spectra and it’s 2015. That’s probably why.

KNX1070, a Southern Californian news radio program that ran on AM, was playing as I drove home. I had work until 5 p.m. I tell myself that work was the reason I didn’t go. I don’t tell myself even if I went, my busted hip and knee would have kept me from marching.

“Let’s go to your eye in the sky and get the latest on Traffic in L.A.” the male radio host said, over pronouncing every word through what sounded like a tight, forced smile.

“Well, there are a lot of freeway closures in L.A. today due to the march,” came the reply from the CBS News Helicopter.

“Thank you Denise. Are there a lot of people marching in L.A. today for the fight-for-fifteen movement?” The inflection of his voice was supposed to make him sound interested, but the over enthusiasm in his voice just made every question and statement that fell from his lips feel false.

“Oh gosh,” she started, “like 200 people are so. You can’t miss the flag they have. It’s a big flag. They’re leading the march with it.”

I texted my friend at the march asking how many people were there.

“About 1,000, maybe more” he replied.

5 Creative Nonfiction Writing Tips

We here at The Poetics Project regularly partake in the Creative Nonfiction genre with our monthly Story Shots posts. I have a lot of fun with the genre, but I know that many people struggle with creative nonfiction.

Specifically, how much is creative and how much is nonfiction? Where does the line blur and creativity starts taking a nonfiction piece into the realm of fiction?

There are no solid boundaries nor are there any set percentages, e.g. 25% of your story must be “creative” while the other 75% must be nonfiction to obtain the label creative nonfiction. Essentially, the creative part of creative nonfiction refers to how the story is told and the nonfiction part of the creative nonfiction refers to the subject matter of the piece.

Can you make up dialog? No, but if you don’t remember the exact words spoken but can approximate them, that’s fine (in my book – others may disagree). Can you change names, dates, and locations of a creative nonfiction piece to distance the people involved from the story? I think you can, as long as everything else in your story is true.

In other words, use your best judgement when it comes to how much “creative” and how much “nonfiction” goes into your creative nonfiction. If you started out writing a creative nonfiction story about an experience you had in high school and it suddenly becomes an epic fantasy-romance, it’s probably no longer creative nonfiction. Lots of fiction is based on true and real events, but once enough of that story is manipulated, it’s no longer nonfiction and crosses into the realm of fiction.

But you don’t need to add a ton of fiction into your creative nonfiction to make it interesting. There are some very basic tricks you can use in creative nonfiction, as well as in other literary forms, to make your story creative without sacrificing the nonfiction part of your story. Here’s a quick list of 5 tips to help make your creative nonfiction really pop.

Politics and Poetry: Early Modern English Poetry

I like to write poetry. I can’t say I’m the best at it, but I’ve been published a few times and I continue to study rhetoric and poetic form as well as continue to try to write and publish the work that I do. I’m also a passionate person when it comes to politics and social justice. My major in college was English, but my minor was political science.

So often when I write, I write politically-themed poetry. This struck one of my friends as odd. When I got to thinking about the link between politics and poetry, though, I have to say it’s really not all that odd for politics and poetry to be combined.

Politics and poetry have always been aligned. Poetry has always been a place for marginalized people to make their voices heard or to covertly challenge those in power. Today poetry continues to be an arena for social commentary and pushes for social change, and, above all else, a way for people to make their voices and opinions heard.

Queen Elizabeth I in her coronation robes.

Early Modern English Poets

Also known as the English Renaissance, this period lasted from the late 15th century into the cusp of the 18th century and was filled with political turmoil. Protestant and catholic monarchs kept being crowned which meant every time the power passed between faiths, the people of this time period were expected to convert. The idea behind a monarchy is that the political leader, the king or queen, is ordained by the Christian God to be in power. So when a protestant was in power, everyone from the nobles to the peasants were expected to convert and to believe, in their heart of hearts, that this new religion was the one true religion. Then when a Catholic took the throne, the people would again have to convert and know that in their heart of hearts, that this new religion was the one true religion. Some monarchs, like Elizabeth I, said, you know what? This isn’t fair. As long as you practice the faith you believe in, I don’t care if your religion matches mine. That worked for about five minutes, until Pope Regnans in Excelsis said that, because she was a protestant, she was not the legitimate Queen of England and anyone who assassinated her was doing God a service and would be forgiven. Now Elizabeth had to be wary of all Catholics, which did little to ease political tensions in the time period. Add in some international conflicts, like wars between England and Spain, and mix in a Virgin Queen and the fear of no apparent heir causing another War of the Roses (for you Game of Throne fans, the War of the Roses is the political conflict that inspired the fantasy series) and you get a lot of turmoil and a lot to criticize.

During this time of constant conversion, poets like John Donne issued a challenge through his poem Satire III to the logic behind forced conversion with such lines as:

Keep the truth which thou hast found; men do not stand
In so ill case, that God hath with his hand
Sign’d kings’ blank charters to kill whom they hate;
Nor are they vicars, but hangmen to fate.

Donne states that God has not given Kings the right to force conversion, nor execute the populous for their religious beliefs. In England during the Early Modern Period, religion and politics were intertwined so criticizing the way the crown handled religion was a political issue and one, as Donne alludes to in this poem, that can lead to execution.

Literary Paraphernalia: 10 DIY Projects for Book Lovers

I’m a poor college student. Actually, all of the writers of this blog are college students and fairly broke. While we write these posts about literary paraphernalia and how much we’d love to own some of these great book-related items, we really can’t afford to.

It makes me sad.

That’s why I decided to hijack this column for the week and do a list of DIY projects that range from easy to difficult and aren’t terribly expensive.

We’ll start with the easy DIY projects first. These will require little to no extra crafting gear outside of say, glue, a pen, and maybe some scissors.

DIY Paint Chip Bookmarks

(Credit: BellaCarta.Typepad.Com)

This bookmark is simple, cheap, and versatile. While doodling flowers is one method of decorating this bookmark, another (which I would probably do) would be to write your favorite book quote on draw various literary characters into the different colored boxes.

 

DIY Mini Notebooks

(Image Source: KaleyAnn.Com)
(Credit: KaleyAnn.Com)

These cute little notebooks are a snap to make and great for writers to use! You can also grab some Sharpies and decorate the covers. These would also make cute gifts.

AWP 2014: Writing Unsympathetic Characters

Last week, I attended AWP in Seattle with other students in my program and fellow contributor, Tiffany Shelton. For those of you who haven’t heard of AWP, it’s a conference and bookfair held in a different city each year and hosted by the Association of Writers & Writing Programs. Both AWP and Write to Publish took place in February, and both conferences have set me on a roll. Recently, I’ve been writing anywhere from five hundred to a thousand words or more a night—and because I just told you, reader, I feel a certain obligation to keep up this stamina.

Because I’ve already written about how inspiring writing conferences can be, I won’t linger on the subject too long. Just go to one, if you can. They’re terrifying and uplifting; you leave feeling you have the permission to write, to struggle, and to succeed. And they make you realize that “success” doesn’t look the same for every writer—and that’s okay.

At AWP, I went to several panels, but this post will focus on a panel titled “I’m Just Not That Into You: Unsympathetic Characters in Fiction.” Author Irinia Reyn moderated the panel, which consisted of authors Hannah Tinti, Lynne Sharon Schwartz, Maud Newton, and agent Ryan Harbage.

I attended this panel, because as both a reader and writer I have come to the realization that I am drawn to characters who others may deem unsympathetic. Irinia began by asking the panelists what they mean when they say a character is unsympathetic. Responses varied from “They appeal to our dark side” to “They are the characters I want to read about.” One panelist—and this stuck with me—said that sometimes unsympathetic characters are just people “put in a difficult situation who have to make a controversial choice.” Are unsympathetic characters the same as unlikeable characters? No. That was the response from the majority of the panelists. There’s no writer’s handbook that says your readers must like character a, b, and c. As one panelist said, “It’s good when someone has a reaction.”

Self-Publishing: No Degree Necessary

Self-publishing has taken off, that’s no secret. Bestsellers, from Fifty Shades of Grey to Wool, began as self-published books. Recently, the University of Central Lancashire (UCLan), in the UK, even began its own masters program in self-publishing. A full-time student can complete the program in one year; when he or she graduates, they will have all the skills needed to edit, design, publish, and market their own book. At least, that’s the idea.

I’ll admit, I’ve read very few self-published books. So few, that as I write this, I can’t recall their titles. But by no means do I “hate on” self-published books. Sure, I have, on occasion, expressed the belief that self-published titles are generally lacking in editing, design, and marketing—all those aspects of publishing that UCLan hopes to teach—but that isn’t always the case. If I’m being honest, those nameless self-published titles were bad apples that spoiled the rest.

What do I mean by spoiled? The great thing about self-published titles are that you can often get them for cheap (sometimes even free if they’re e-books). Low prices are great; that means more books for me. Yet, in my experience, this leads to reading a lot of bad writing, and in the end, I’d rather pay more for the good stuff.

(Credit: IndieBound)

For a long time, most readers have felt this way. Publishers may be the “gate keepers,” but, as a reader, I appreciate knowing that I can trust a book stamped with HarperCollins’ or Penguins’ logo will be a good read. However, I think it’s important to remember the exceptions, because, surely, not every reader will love every book published by the “Big Five.” So why shouldn’t that same logic apply to self-publishing?

Self-publishing has many positives. None too small to overlook. Wool, as I mentioned earlier, was a great success story. Hugh Howey originally self-published the book as a stand-alone, short story on Amazon. When it began to develop a following, he continued the plot with additional stories, all of which he eventually sold to Simon & Schuster for six figures.

The Tumblr Post that Started a Debate on Race and Writing

Normally, I’m not one to start an online debate with another blog, but while scrolling through Tumblr a few days ago, I came across this post.

(Credit: www.thewritershelpers.com)
(Credit: www.thewritershelpers.com)

I immediately shared the post with the other contributors here at the blog, and we, along with many other Tumblr users, had a wide range of thoughts regarding this piece of advice.

(Credit: www.thewritershelpers.com)
(Credit: www.thewritershelpers.com)

Before I begin, I think it’s only fair to say that there were also many Tumblr users who shared their support of The Writers Helpers, the Tumblr blog which handed out this advice. According to these users, the account admins were not being racist, but simply honest.

(Credit: www.thewritershelpers.com)
(Credit: www.thewritershelpers.com)

In case you were wondering, I fundamentally disagree with the original advice offered by The Writers Helpers. Do I think that the admins of this blog (or “S,” the specific admin who responded to the question) are racist? No. I do not. However, the statement—the advice itself—advises writers to treat their own characters’ races as unequal.