Tag Archives: Paradise Lost

Politics and Poetry: John Milton

“Paradise Lost” by Terrance Lindall, executive director of the Williamsburg Art and Historical Center, at the center’s new exhibition in honor of John Milton’s 400th birthday. Michelle V. Agins/The New York Times

John Milton lived during the Restoration period (1600-1798), also known as the Age of Enlightenment which occurred just after the Renaissance (1485-1660), in England and was one of the most celebrated poets of the era.

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Is it weird that I really dig John Milton’s hair?

It was Milton’s goal to not just be a poet, but to be a great poet. He achieved this by hiring tutors to continue his education after his schooling had finished. In addition to studying hard to be a poet, Milton wrote and he wrote a lot. John Milton was a prolific poet, creating an extensive body of work from sonnets to a twelve book-spanning epic poem.

What Milton is probably most recognized for is that twelve book epic poem, better known as Paradise Lost. This epic poem recounts the fall of man from the Christian bible from the perspective of none other than Satan himself.

WWII: Not an Original Setting Anymore

I’m part of a book club at work. We enjoy getting together and discussing a book every two weeks over lunch. But, for some reason, more than half the books we read are set in WWII. All of the villains are, generally, Nazis.

This is the current book I’m working on for book club. It’s not bad, but I’m tired of WWII. Maybe if I hadn’t of read 6 other WWII related books for book club before, I’d be more into this one.

I was wondering if this was just related to the tastes of my book club – maybe they all are WWII enthusiasts or like, really hate Nazis.

But then I realized, maybe, just maybe, the reason we read so many WWII fiction books is because there are so damn many of them on the market.

When I do a search in Amazon, for example, for WWII under books, I get 20,203 results. If I narrow it down to non-history books, I still get about 5,000 books from literature, fantasy, mystery, thriller, suspense, romance, teen, etc.

I hate to say it, but guys, WWII is an unoriginal theme. Don’t make it your setting. Don’t make your bad-guys stereotypical Nazis. It’s been done. It’s been done so many times. How many times? 20,203 overall, or, if you just want to go into the fiction realm, at least over 5,000 recently.

What Makes The Epic Epic

We’ve all called something epic – it’s now associated with awesome, big, spectacular – but, as a literary term, the epic means something very specific. Homer’s Iliad and The Odyssey, the unknown author’s Beowulf, Milton’s Paradise Lost, and Walt Whitman’s Song of Myself aren’t epics because they’re long pieces of poetry, but rather, because they all share a very specific elements which puts them into the epic category.

The movie Epic and epic poetry have nothing in common, I’m sorry to say.

First, epic poems open with what’s called a in medias res, Latin for “in the midst of things.” Beowulf opens with a kingdom in need of a Grendel extermination. The reader doesn’t start with the birth of Beowulf, but rather we start with a scene ripe for action.

The setting of epics are vast. Think the exact opposite of The Yellow Wallpaper by Charlotte Perkins Gilman, which mostly takes place in one room. Epics are epic in part because of the vastness of their settings. The Odyssey spans oceans and continents, for example.

Almost all epics call to a muse to set the tone of the piece of poetry to come.

No, not those muses (I knew your brain would go there). The muses were not five gospel singers – and that’s the gospel truth.