Tag Archives: writing

The Ways I Use Poetry

When I was in grade school, I used poetry for entertainment. My grade school had regular book fairs, and one of the first books I bought on my own was The Random House Book of Poetry for Children because, in the first few pages, it had a funny poem about a boy that would take off all his clothing and could never figure out how to put it back on. The book was large and full of various poems. When there wasn’t anything to watch on television, or when I finished some of my homework, I’d sit in my room and read through my book of poetry and try to memorize the poems that were on the pages. As I aged, the appeal of the book of children’s poetry faded, and it was placed into a box and given to Goodwill.

It wasn’t until high school that I started to use poetry again. This time, I used poetry as a form of self-expression, as many teens end up doing. Sometimes I wrote poems and sometimes I wrote song lyrics, but they were always dark and angry and honestly, not very good. I used poetry to help form my self-identity and to work through an extreme level of teenage angst. These works often found themselves on napkins, or on ripped up pieces of paper, or inside of one of my textbooks. The poetry I wrote back then is long gone, which is probably a good thing. If I had to classify the type of use this poetry was, it would fall under the category of misuse.

Bringing Readers Inside the Bedroom

Writing about sex is hard (no pun intended). While there are plenty of writers who have found their niche writing romance novels filled to the brim with sensual scenes, the majority of us do anything to avoid a sex scene. As my book editing professor has mentioned on more than one occasion, readers don’t need to be taken into the bedroom. In other words, describe your lovers ripping each other’s clothes off and passionately kissing, but let the reader’s imaginations fill in the rest.

But what if you don’t want to stop at the bedroom door? How do you write about sex without causing your reader to roll their eyes, skip ahead, or feel completely awkward (mostly for you). For one, understand that metaphors and sex work–up until a certain point, at which you lose readers. In Slate.com’s recent article “The Worst Sex Writing of the Year Features Statisticians, Superheroes, and Brie Cheese,” Amanda Hess gives readers one example of what she deems a “delusional” metaphor from Manil Suri’s The City of Devi:

We streak like superheroes past suns and solar systems, we dive through shoals of quarks and atomic nuclei. In celebration of our breakthrough fourth star, statisticians the world over rejoice.

I have absolutely no idea what’s going on here, but Hess’ astute observation, “Congratulations–you fucked,” pretty much sums it up. When metaphors are too complex, they seem unrealistic. For most of us, sex doesn’t equate to feeling like a superhero diving through atomic nuclei and causing statisticians to rejoice. Hess also offers other examples of “bad” sex writing.

Three Tips to Beat Writer’s Block

It happens to us all – we’re in the middle of a piece of work and it is just inspired. Everything flows. The words fit perfectly. The idea is seamless and flows like the Nile forming an oasis in a desert of blank pages.

And then the phone rights. Or you get an email alert that snaps you out of the zone. Maybe someone knocks on the door. Whatever happens and then the zone is gone.

Writing all of a sudden becomes like pulling teeth – painful and extraordinarily uninspired. Things on the page that were once beautiful now turn to pure dung and nothing you do seems to redeem the words on the page or match the perfection of what came before.

Pictured: What it feels like to write after you’ve lost the flow.

I do advocate having a set time to write and minimizing interruptions during these writing periods, but that doesn’t mean that an inspired state of mind doesn’t help with the workflow, and when that streak is gone, it can seem impossible to begin to write again.

These three tips help me get back into the flow of writing once I’ve lost it, and hopefully they’ll help you too.

MFA Programs: Are They Worth It?

So you want to be a writer. You have graduated from high school and college with a few creative writing workshops under your belt and produced a few short pieces you’re proud of. You think, if I could just find the time or had people to read my work, I think I could do this. I could be the voice of my generation.

(Credit: Huffington Post)
(Credit: Huffington Post)

You still need to learn a few tricks. And you just know that if you jump straight into a full-time job that you’ll never get around to writing that novel. Life will happen. You’ll head straight for the fridge and then your bed after a long shift instead of opening up a blank page and writing.

This is a valid concern. If I wasn’t in grad school right now (albeit for publishing and not creative writing), I don’t know where I’d find the time to write. Or rather I do know where I’d find the time, but that notion is scary because it requires dedication and commitment. It requires long nights and early mornings typing away on your computer rather than going out for drinks with friends or binging on Netflix.

You have to find your own motivation rather than being motivated by your fellow students or professors. Being able to find your own motivation isn’t bad. It’s good. And certainly after finishing an MFA program, it’s a skill you will need to develop, but it can be hard to motivate yourself when you’re still figuring things out. When your own writing style isn’t fully-formed. Or when you haven’t found that story inside of you yet that is just dying to get out.

But it’s important to be realistic about MFA programs and to consider your options before jumping straight in.

Traveling This Summer? Keep a Journal!

In the summer of 2012 I traveled to China. It was a great experience, and I was super busy all the time. I never found time to write or keep a journal, but my roommate for the trip did. I’m fairly sad that I didn’t set aside the time to do the same thing.

What really impressed me about her journal was that it had writing prompts for her to respond to for each day she was gone. Her friends and family had gotten together and had come up with the writing prompts for her. They then wrote the prompts within a notebook and told her to not look ahead and to just fill in the page for the day’s writing prompt.

I did have fun taking photos, at least. My group was super annoyed that I took so long, but hell, they turned out awesome.
I did have fun taking photos, at least. My group was super annoyed that I took so long, but hell, they turned out awesome.

Besides being a totally awesome gift idea for friends or family that are traveling abroad, this is also a great tool for a writer. I have my memories (and a crap ton of pictures on my Facebook) of the trip, but I don’t have my emotional responses or thoughts documented from my time over there.

The Tumblr Post that Started a Debate on Race and Writing

Normally, I’m not one to start an online debate with another blog, but while scrolling through Tumblr a few days ago, I came across this post.

(Credit: www.thewritershelpers.com)
(Credit: www.thewritershelpers.com)

I immediately shared the post with the other contributors here at the blog, and we, along with many other Tumblr users, had a wide range of thoughts regarding this piece of advice.

(Credit: www.thewritershelpers.com)
(Credit: www.thewritershelpers.com)

Before I begin, I think it’s only fair to say that there were also many Tumblr users who shared their support of The Writers Helpers, the Tumblr blog which handed out this advice. According to these users, the account admins were not being racist, but simply honest.

(Credit: www.thewritershelpers.com)
(Credit: www.thewritershelpers.com)

In case you were wondering, I fundamentally disagree with the original advice offered by The Writers Helpers. Do I think that the admins of this blog (or “S,” the specific admin who responded to the question) are racist? No. I do not. However, the statement—the advice itself—advises writers to treat their own characters’ races as unequal.

My Brain got Stuck in a Rhyming Loop

When it comes to creative projects at school, my go-to is poetry. I had a big creative project due in one of my classes this past week, and I decided, since it was for Arthurian Romance, to imitate the Medieval French style of poetry. For a week solid, I was spending my nights creating plot and writing in rhyming couplets.

Let me tell you about rhyming couplets.

Door-hinge? I guess that rhymes with orange. Try working that into a poem organically.
Door-hinge? I guess that rhymes with orange. Try working that into a poem organically.

At first, it really isn’t that easy to do. I tend to use a rhyming dictionary when I start out, because my brain isn’t in rhyming mode yet. For the first few days working on an epic, 15 page poem written in eight syllable rhyming couplets, the rhyming dictionary is a godsend. I also use an on-line thesaurus to find words of varying syllables so I can force my thoughts into the eight syllable mold. A thesaurus is also useful in finding words that have the right concept behind them and easy rhymes – for example, the word orange is a jerk when it comes to rhyming, but using a thesaurus gives me all kinds of other options to that dreaded word – warm, flame, gold, etc., which are all much easier to rhyme with.

As time passes, however, these tools fade as the brain starts thinking in rhyme. I’m not kidding – on the third day of working with my project until the day it was due, my brain was rhyming. And so the downside of rhyming started to kick in.

Writing Goals: Poetry Addition

April was National Poetry Month. So, of course, on my Facebook page, I posted a poem or two a day. And, inspired by all the poetry I was posting, I tried to write more poems than I usually do.

Now that April’s over, I want to continue pushing myself to write poetry. I’ve written in the past how deadlines work really well for me when it comes to writing, but how arbitrary ones, not attached to a literary journal’s deadline, kinda never seem to have the same effect on my writing.

My new goal is to write two poems a week. Is that doable? Maybe. I’m older and more mature now, so maybe I’ll be able to hold myself to my writing goals. But there are a few other tricks I’m using to motivate myself to keep my writing goals.

First and foremost, I’m telling all of you about my goal. When other people, like my co-blogger Melanie, know about my goals and can ask me about them, I tend to do better at holding myself accountable for my goals. So I’ve told her, and you, that I plan on writing two poems a week and now there’s an expectation that I will be writing two poems a week.

Damn, Poetry’s Hard

In Adam Frank’s recent article on NPR, the writer compares poetry to physics. He begins his discussion with T.S. Eliot’s Wasteland, which is 434 lines. In other words, it’s long. For some readers, that length provides something to hold onto a bit longer. An author might claim that more space allows for them to create greater meaning. But for some readers, longer poems can be daunting.

However, length isn’t the only thing that makes certain poems more difficult for some than others. Why someone may not “get” a poem can be for many reasons. In Frank’s article, the writer interviews John Beer, poet and professor at Portland State University. Beer had this to say about the subject:

There are, it seems, as many ways for a poem to be difficult as there are for it to be a poem at all. For most people, a lot of poetry written before the twentieth century will be a challenge: the vocabulary will often be unfamiliar, the syntax may be more complicated than we are accustomed to reading, and allusions, especially to classical learning, abound.

Ode to the Haiku

The haiku is one of my favorite poetic forms. I will often jot one down in class when not paying attention to a teacher, or when riding as a passenger in a car, or on my friend’s facebook pages when I am awake late at night and procrastinating on something important to do.

Haikus are short and to the point, much like I am. It was as if the form was made for me, but really, it wasn’t. Haikus were made for all to enjoy, not just me. A traditional haiku has 17 syllables, broken up into lines that are 5/7/5 syllables each. In sticking with tradition, most haikus usually include references to nature or the seasons and contain a contrasting image within it. It is common for haikus to have spliced words, elongated vowel sounds or double syllabic sounds to fulfill the syllable count requirements. Haikus can also be joined together to make a larger poem, but each haiku must stand on its own and be able to be read as an independent piece for the poem to truly be considered a haiku.

Below is my interpretation of a traditional haiku. This is a series of haikus, but each also stand independently, or, I at least hope they do.